Masterpieces of World Literature. George Gordon Byron. After her husband had squandered most of her fortune, Mrs. Byron took her infant son to Aberdeen, Scotland, where they lived in lodgings on a meagre income; the captain died in France in George Gordon Byron had been born with a clubfoot and early developed an extreme sensitivity to his lameness.

Inat age 10, he unexpectedly inherited the title and estates of his great-uncle William, the 5th Baron Byron. His mother proudly took him to England, where the boy fell in love with the ghostly halls and spacious ruins of Newstead Abbey, which had been presented to the Byrons by Henry VIII.

Afterliving at Newstead for a while, Byron was sent to school in London, and in he went to Harrow, one of England’s most prestigious schools.

In he fell in love with his distant cousin, Mary Chaworth, who was older and already engaged, and when she rejected him she became the symbolfor Byron of idealized and unattainable love.

He probably met Augusta Byron, his half sister from his father’s first marriage, that same year. In Byron entered Trinity College, Cambridge, where he piled up debts at an alarming rate and indulged in the conventional vices of undergraduates there.

Despite Byron’s strong attachment to boys, often idealized as in the case of Edleston, his attachment to women throughout his life is sufficient indication of the strength of his heterosexual drive.

In Byron had his early poems privately printed in a volume entitled Fugitive Pieces, and that same year he formed at Trinity what was to be a close, lifelong friendship with John Cam Hobhouse, who stirred his interest in liberal Whiggism.

Byron’s first published volume of poetry, Hours of Idleness, appeared in A sarcastic critique of the book in The Edinburgh Review provoked his retaliation in with a couplet satire, English Bards and Scotch Reviewers, in which he attacked the contemporary literary scene.

This work gained him his first recognition.

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On reaching his majority inByron took his seat in the House of Lords, and then embarked with Hobhouse on a grand tour. In March he sailed with Hobhouse for Constantinople now Istanbul, Turkeyvisited the site of Troy, and swam the Hellespont present-day Dardanelles in imitation of Leander.

Byron’s sojourn in Greece made a lasting impression on him. The Greeks’ free and open frankness contrasted strongly with English reserve and hypocrisy and served to broaden his views of men and manners.

He delighted in the sunshine and the moral tolerance of the people. Byron arrived back in London in Julyand his mother died before he could reach her at Newstead.

In February he made his first speech in the House of Lords, a humanitarian plea opposing harsh Tory measures against riotous Nottingham weavers.

Besides furnishing a travelogue of Byron’s own wanderings through the Mediterranean, the first two cantos express the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras.

In the wake of Childe Harold’s enormous popularity, Byron was lionized in Whig society. The handsome poet was swept into a liaison with the passionate and eccentric Lady Caroline Lamb, and the scandal of an elopement was barely prevented by his friend Hobhouse.

She was succeeded as his lover by Lady Oxford, who encouraged Byron’s radicalism.

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During the summer ofByron apparently entered into intimate relations with his half sister Augusta, now married to Colonel George Leigh.

He then carried on a flirtation with Lady Frances Webster as a diversion from this dangerous liaison. The agitations of these two love affairs and the sense of mingled guilt and exultation they aroused in Byron are reflected in the series of gloomy and remorseful Oriental verse tales he wrote at this time: The Giaour ; The Bride of Abydos ; The Corsairwhich sold 10, copies on the day of publication; and Lara From the start the marriage was doomed by the gulf between Byron and his unimaginative and humorless wife; and in January Annabella left Byron to live with her parents, amid swirling rumours centring on his relations with Augusta Leigh and his bisexuality.

The couple obtained a legal separation. Wounded by the general moral indignation directed at him, Byron went abroad in Aprilnever to return to England.

It memorably evokes the historical associations of each place Harold visits, giving pictures of the Battle of Waterloo whose site Byron visited ,of Napoleon and Jean-Jacques Rousseau, and of the Swiss mountains and lakes, in verse that expresses both the most aspiring and most melancholy moods.

In October Byron and Hobhouse departed for Italy.

They stopped in Venice, where Byron enjoyed the relaxed customs and morals of the Italians and carried on a love affair with Marianna Segati, his landlord’s wife.

In May he joined Hobhouse in Rome, gathering impressions that he recorded in a fourth canto of Childe Harold In the light, mock-heroic style of Beppo Byron found the form in which he would write his greatest poem, Don Juana satire in the form of a picaresque verse tale.

The first two cantos of Don Juan were begun in and published in July Byron transformed the legendary libertine Don Juan into an unsophisticated, innocent young man who, though hedelightedly succumbs to the beautiful women who pursue him, remains a rational norm against which to view the absurdities and irrationalities of the world.

Upon being sent abroad by his mother from his native Sevilla SevilleJuan survives a shipwreck en route and is cast up on a Greek island, whence he is sold into slavery in Constantinople.

He escapes to the Russian army, participates gallantly in the Russians’ siege of Ismail, and is sent to St. Petersburg, wherehe wins the favour of the empress Catherine the Great and issent by her on a diplomatic mission to England.

The poem’s story, however, remains merely a peg on which Byron could hang a witty and satirical social commentary.

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His most consistent targets are, first, the hypocrisy and cant underlying various social and sexual conventions, and, second, the vain ambitions and pretenses of poets, lovers, generals, rulers, and humanity in general.

Don Juan remains unfinished; Byron completed 16 cantos and had begun the 17th before his own illness and death. In Don Juan he was able to free himself from the excessive melancholy of ChildeHarold and reveal other sides of his character and personality—his satiric wit and his unique view of the comic rather than the tragic discrepancy between reality and appearance.

Shelley and other visitors in found Byron grown fat, with hair long and turning gray, looking older than his years, and sunk in sexual promiscuity.

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But a chance meeting with Countess Teresa Gamba Guiccioli, who was only 19 years old and married to a man nearly three times her age, reenergized Byron and changed the course of his life.

Byron followed her to Ravenna, and she later accompanied him back to Venice. Byron returned to Ravenna in January as Teresa’s cavalier servente gentleman-in-waiting and won the friendship of her father and brother, Counts Ruggero and Pietro Gamba, who initiated him into the secret society of the Carbonari and its revolutionary aims to free Italy from Austrian rule.

Byron arrived in Pisa in Novemberhaving followed Teresa and the Counts Gamba there after the latter had beenexpelled from Ravenna for taking part in an abortive uprising.

He left his daughter Allegra, who had been sent to him by her mother, to be educated in a convent near Ravenna, where she died the following April. In Pisa Byron again became associated with Shelley, and in early summer of Byron went to Leghorn Livornowhere he rented a villa not far from the sea.

Byron returned to Pisa and housed Hunt and his family in his villa. Despite the drowning of Shelley on July 8, the periodical went forward, and its first number contained The Vision of Judgment.

At the end of September Byron moved to Genoa, where Teresa’s family had found asylum. Byron’s interest in the periodical gradually waned, but he continued to support Hunt and to give manuscripts to The Liberal.

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By this time Byron was in search of new adventure. In April he agreed to act as agent of the London Committee, which had been formed to aid the Greeks in their struggle for independence from the Turks.

In July Byron left Genoa for Cephalonia. Byron made efforts to unite the various Greek factions and took personal command of a brigade of Souliot soldiers, reputedly the bravest of the Greeks.

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But a serious illness in February weakened him, and in April he contracted the fever from which he died at Missolonghi on April Deeply mourned, he became a symbol of disinterested patriotism and a Greek national hero.

His body was brought back to England and, refused burial in Westminster Abbey, was placed in the family vault near Newstead.

Ironically, years after his death, a memorial to Byron was finally placed on the floor of the Abbey. Assessment Lord Byron’s writings are more patently autobiographic thaneven those of his fellow self-revealing Romantics.

Upon close examination, however, the paradox of his complex character can be resolved into understandable elements. Byron early became aware of reality’s imperfections, but the skepticism and cynicism bred of his disillusionment coexisted with a lifelong propensity to seek ideal perfection in all of life’s experiences.

Consequently, he alternated between deep-seated melancholy and humorous mockery in his reaction to the disparity between real life and his unattainable ideals.

The melancholy of Childe Harold and the satiric realism of Don Juan are thus two sides of the samecoin: the former runs the gamut of the moods of Romantic despair in reaction to life’s imperfections, while the latter exhibits the humorous irony attending the unmasking of the hypocritical facade of reality.

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Byron was initially diverted from his satiric-realistic bent bythe success of Childe Harold. He followed this up with the Oriental tales, which reflected the gloomy moods of self-analysis and disenchantment of his years of fame.

In Manfred and the third and fourth cantos of Childe Harold he projected the brooding remorse and despair that followed the debacle of his ambitions and love affairs in England.

But gradually the relaxed and freer life in Italy opened up again the satiric vein, and he found his forte in the mock-heroic style of Italian verse satire.

The ottava rima form, which Byron used in Beppo and Don Juan, was easily adaptable to the digressive commentary, and its final couplet was ideally suited to the deflation of sentimental pretensions:.

Byron’s plays are not as highly regarded as his poetry. He provided Manfred, Cain, and the historical dramas with characters whose exalted rhetoric is replete with Byronic philosophy and self-confession, but these plays are truly successful only insofar as their protagonists reflect aspects of Byron’s own personality.

Byron was a superb letter writer, conversational, witty, and relaxed, and the 20th-century publication of many previously unknown letters has further enhanced his literary reputation.

Whether dealing with love or poetry, he cuts through to the heart of the matter with admirable incisiveness, and his apt and amusing turns of phrase make even his business letters fascinating.

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Byron showed only that facet of his many-sided nature that was most congenial to each of his friends. To Hobhouse he was the facetious companion, humorous, cynical, and realistic, while to Edleston, and to most women, he could be tender, melancholy, and idealistic.

But this weakness was also Byron’s strength. His chameleon-like character was engendered not by hypocrisy but by sympathy and adaptability, for the side he showed was a real if only partial revelation of his true self.

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And this mobility of character permitted him to savour and to record the mood and thought of the moment with a sensitivity denied to those tied to the conventions of consistency.

Leslie A. Lord Byron on his deathbed as depicted by Joseph-Denis Odevaere c.

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This unfinished epic satire is written in ottava rima and contains 16, lines in its sixteen cantos. Rather than following the epic tradition, the poem becomes a vehicle for digression on any subject; Byron, through his hero, gives his views on wealth, power, society, chastity, poets, diplomats, and England.

For this reason the poem holds a high place among literary satires. He is a handsome, mischief-making boy whose education, after his father’s death, is carefully supervised by his mother, who insists that he read only classics expurgated in the text but with all the obscenities collected in an appendix.

He is allowed to associate only with old or ugly women. At the age of sixteen he learns the art of love from Donna Julia, a young matron.

The ensuing scandal causes Donna Inez to send her son to Cadiz, there to take ship for a trip abroad. The vessel on which he is a passenger sinks after a storm; he experiences a romantic interlude with the daughter of a Greek pirate and slave trader; he is sold to the Turks; he takes part in the siege of Ismail, a Turkish fort on the Danube River; he becomes the favorite of the Empress Catherine of Russia; and he is sent on a diplomatic mission to England, where he becomes a critical observer of English society.

Donna Inez, Don Juan’s mother, a domineering and short-sighted woman who first tries to protect her son from the facts of life but later rejoices in his good fortune and advancement when he becomes the favorite of Empress Catherine of Russia.

Don Jose, Don Juan’s father, a gallant man often unfaithful to his wife, with whom he quarrels constantly. He dies while his son is still a small boy.

Donna Julia, Don Juan’s first love, a woman of twenty-three married to a fifty-year-old husband, Don Alfonso.